On Saturday, August 13, 2011, Six Flags Great Adventure was converted into a haven of family fun, great Reggae music and vibes when TriniFly promotions staged the Six Flags "Caribbean Summer Concert Series" featuring the likes of powerhouse Reggae acts Beres Hammond, Anthony B, Wayne Wonder and selector Banky Hype. The concert offered Reggae music lovers several hours of rock solid outdoor entertainment.

After soaking in intermittent sun and taking in Great Adventure's many attractions, thousands of concertgoers took over the park's Northern Star Arena. Wayne Wonder opened the concert, immediately capturing the attention of the audience -- especially the ladies in the VIP section. The singer's honey-soaked vocals were soothing as he performed a medley of hits. With a 20+ year catalogue of music, Wayne Wonder took the crowd on a trip down memory lane with songs "Movie Star," "Bonafide Love" and "Saddest Day." The ever-so-smooth singer also performed "No Letting Go," a chart-topping song that unquestionably increased his international popularity. But it was Wonder's Dancehall defining anthems "Joyride" and "Bashment Gal" that truly had the crowd rocking.

Beres Hammond is an icon of Reggae music. And much to his credit, Beres boasts flawless vocals, thoughtful lyrics, and a larger-than-life personality. These elements and more shine through all of Beres' performances. It seems that with time -- Beres' performances get stronger and stronger. Never disappointing his scores of fans, the soulful crooner ignited the arena with an explosive set. In between interacting with the audience, Beres unleashed a montage of hit songs including "Tempted to Touch," "Putting Up Resistance," "I Feel Good" and "No Goodbye." He also performed party favorites "Pull It Up" and "Rockaway." During his set, Beres introduced the Harmony House band, allowing members to showcase their divine musical talent. Even though Beres had a nice long set, fans were by no means ready for him to leave.

With one act to go, especially following a tough act like Beres, the crowd needed to be entertained. Somehow, the promoter knew just how to keep the vibes going -- with Banky Hype, popular New Jersey-based selector and radio personality. Banky had the arena partying, as he paid homage to old school Lover's Rock during a comedic segment in which Banky warned young guys that they can't take a woman on a first date with Mavado and Kartel playing. The crowd went wild to say the least. The selector continued to amuse the crowd -- dropping an array of tunes that had the place jumping. Banky was an ideal segue way to the show's closing act Anthony B.

Conscious artist Anthony B is a force to be reckoned with as far as Reggae music goes. His music is thought evoking, fueled by social injustices and issues of the people. As anticipated, Anthony B delivered a thorough and entertaining performance at Six Flags. During his energetic set, which was robust with dancing and chatting with the audience, Anthony B sang favorites like "Fire Pon Rome" and "Raid the Barn" and the newer selection "Tease Her." In addition to these songs and other piercing selections, Anthony B changed up his normal music style and performed a comedic ode to the females in the Reggae music industry. The audience roared with laughter, as the deejay indicated how he would treat each one.

With such tight and entertaining performances, one could almost forget that Ky-Mani Marley didn't perform. This concert was by all means a success. It's always a pleasure to take in great Reggae music in a controlled and well-organized environment. Ryan Elder of TrinFly Promotions says "TriniFly Promotions has a long-standing commitment to providing multicultural events that match no other, and Saturday's event definitely accomplished that goal." Event promotions company, TriniFly promotions has been successfully staging concert events at Six Flags for the last seven years.

To view photos of the Six Flags "Caribbean Summer Concert Series," click here:

http://www.irishandchin.com/photos/ajamu-photography/us-events-by-ajamu/trini-fly-g-city-six-flag-summer-concert-series-august-13-2011  

New York, New York -- June 10, 2011 -- It was truly a historical moment for Reggae music on Sunday, June 5, 2011, as Reggae music's shining stars joined forces to support Japan earthquake and pacific tsunami relief efforts at Mighty Crown's "Reggae 4 Japan." This landmark benefit concert will forever be etched in the minds of the sold-out crowd who poured into York College's auditorium to see their favorite Reggae artists, while supporting a good cause -- Japan. The event's producers Mighty Crown and Irish and Chin, overjoyed by "Reggae 4 Japan's" turn out, managed to don smiles, despite the tragedy at hand. Executive sponsor VP Records was also thrilled by the evening's rewarding chain of events. 

Among the audience and artists billed for the event, there was an overwhelming sense of love and unity. "Reggae 4 Japan" was by far one of the most uplifting concerts the Reggae music industry has seen in quite some time. It was entertaining, yet had a heavy message and meaning. More than 18 artists, including surprise guests, delivered groundbreaking performances in an effort to stress the importance of rebuilding and revitalizing Japan. With every artist boasting a stellar set under their belt, the audience was thoroughly entertained. In addition to the artists one the line-up, a number of special guests were in attendance including multi-platinum artist Shaggy, Rayvon, Gyptian and more. 

Since Sunday, praises for "Reggae 4 Japan" have been coming in steadily from artists, their management, patrons and media. A recent acknowledgement from radio host and broadcaster Carl Moxie of New York's WVIP 93.5 FM says "If I may, let me take the opportunity to personally applaud your efforts by saying that the "Reggae 4 Japan" concert is by far the most organized project that I have ever seen or been a part of, and I must say I have been involved in and have seen quite a few concerts, from all genre of music, background and ethnicity in my time." 

Moxie concludes "Thanks for allowing me to be part of this project and may you continue to serve to help uplift others who are in need, because in doing service for humanity -- you also accumulate blessings for self. Again, congratulations!"

Rising Reggae band New Kingston and one of Europe's top Reggae artists Ziggy Ricardo kicked of the concert with strong sets. As Mighty Crown welcomed the capacity crowd to "Reggae 4 Japan" and thanked them for their unyielding support, they moved on to discuss how Reggae music influenced their career and lives. Their opening was an ideal segue way for one of their favorite artists Johnny Osbourne to take over the stage. Following an intense music session by Road International and Japan video tribute from artists lending their support, singing beauty Alaine doused the crowd with her sweet vocals.

The Big Ship Records family was certainly in full force for the occasion. A flavorful set by Chino and Stephen McGregor generated a dancehall vibe in the auditorium. To carry on this momentum was Japan's #1 dancehall act Fireball. Performing for the first time in New York, the Mighty Crown signed Fireball created a huge buzz among the crowd, exposing them to Japanese Reggae Dancehall. The lineup presented an ideal mix of artists. Taking over helm was Duane Stephenson, a gifted Reggae singer and songwriter. Known for conscious lyrics and commended for his ongoing humanitarian efforts, Duane Stephenson passionately crooned his hit selections. Singjay Tanya Stephens also boasted a strong performance, belting out a mix of her dancehall/bluesy selections. Stephens certainly had control of the crowd who sang out with her.

As if the concert couldn't get any hotter, top vocalists Gramps and Peetah Morgan sang their hearts out, affording fans with solo hits and Morgan Heritage favorites. One of Dancehall's best known artists Mr. Vegas drove the crowd wild. During his segment, Mr. Vegas had the whole auditorium on their feet and rocking incessantly. The audience went into overdrive when he hit his anthem "I am Blessed." One of the concert's most amazing feats was that all acts were backed by one band -- Ruff Kut. The band did a phenomenal job backing such a diverse line up.

International Reggae sensation Maxi Priest was as smooth as they come. The super talented singer thrilled the audience with his music. He even performed a song which he dedicated to his second home of Japan. It was clear that the crowd was moved by Maxi Priest's music and commitment to Japan. His involvement in the show was especially important to Reggae music fans, as it was one of his rare U.S. performances.

The captain of the big ship himself Freddie McGregor was a force to be reckoned with by all means. In a way that only Freddie knows how, the silky smooth legend enchanted the audience with a montage of music. Freddie's flawless set left a lasting impression on the crowd, as many are still buzzing about him. Passionate about aiding Japan, Freddie McGregor advised all just how much Japan means to him.

Tarrus Riley is truly a gifted artist. The conscious singer moved the crowd with his performance. The heat turned up when he was joined by his mentor and legendary saxophonist Dean Frazier, who shined in a gripping solo. Reggae's "Fire Man" Capleton lived up to expectations. Robust and full of energy, donned in all red, Capleton electrified the crowd and again had them on their feet. His set got even more explosive when he was joined by two-time Grammy Award-winning artist Shabba Ranks. A surprise to the crowd and fellow artists, Shabba and Capleton had a dynamic lyrical exchange, performing a medley of hits.

The epic concert closed with a performance from none other than Reggae giant and three-time Grammy Award-winning artist Damian "Jr. Gong" Marley, who rocked the audience from start to finish. Nearly every lyric that flowed from Jr. Gong's mouth was repeated by the crowd. His magical stage presence and ensemble performance was amazing to say the least. It was clear that Jr. Gong served as an ultimate finale of "Reggae 4 Japan." He performed an array of hit music, but it was when he dropped "Promise Land" with special guest Nas that the crowd went wild.

For Mighty Crown and Irish and Chin, "Reggae 4 Japan" is just the beginning of their plans to raise money for Japan. They are thrilled that the concert's profits will soon be given to the Japan Earthquake and Pacific Tsunami Relief Effort of the American Red Cross -- but know that there is much more work to be done. Without hesitation or any questions, Reggae music stood tall for Mighty Crown and Japan during such a vital time. Japan's Reggae music ambassadors Mighty Crown were extremely moved and appreciative of support from fans and the industry.

For more information about the American Red Cross in Greater New York, please call 212-875-2617 or visit them online at www.nyredcross.org.

The American Red Cross name is used with its permission, which in no way constitutes an endorsement, express or implied, of any product, service, company, individual or political position.

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 "Reggae 4 Japan" is produced by Japanese sound system and ambassador of Reggae music Mighty Crown and their management team Irish and Chin with executive sponsorship from VP Records. Additional sponsorship for the concert is being provided by Irie Jam Radio (official media sponsor), Scion, Rocker's Island, 24x7 Records, Woofin', NRL, Far East Connection, Nesta Brand, Bennett Limo, Riddim Driven and Conkur Printing. A number of top artists are confirmed to perform at "Reggae 4 Japan," including Damian "Jr. Gong" Marley, Maxi Priest, Freddie McGregor and the Big Ship family, Capleton, Tarrus Riley, Mr. Vegas, Gramps Morgan, Peter Morgan, Duane Stevenson, Alaine, Tanya Stephens, Etana and New Kingston band. There will also likely be some surprise guests.

 As "Reggae 4 Japan" quickly approaches, the excitement surrounding the benefit concert is blossoming. Many Reggae music fans are buying tickets to the event and expressing a desire to support Japan relief efforts in any way possible. Meanwhile, "Reggae 4 Japan's" fanfare has attracted a wealth of attention from national and international media, who are confirmed to cover the highly anticipated benefit concert. Over the past few months, many Reggae artists and industry professionals have expressed a sincere commitment to aiding Japan. The overwhelming support of the Reggae industry is visible by "Reggae 4 Japan's" extensive line up -- so much so that the concert's producers Mighty Crown and Irish and Chin had to get creative with fitting so many artists into a 4-hour concert. However, there were no complaints on behalf of Mighty Crown and Irish and Chin, who are overjoyed by the huge response.

 The interest of the Reggae music industry expands beyond Japan, as it reflects an overall dedication to humanitarian issues. While the mission of "Reggae 4 Japan" is to support relief efforts in Japan, it will also shed a positive light on Reggae music, which has been ill-characterized at times. "Reggae 4 Japan" boldly shows that Reggae artists can come together under on accord to support their brothers and sisters in Japan. And it shows that now more than ever before -- Reggae music is a universal music and force that brings all people together.

Newly confirmed singer and songwriter Duane Stephenson (VP Records) is anxious for his performance at "Reggae 4 Japan." In fact, Stephenson's interest in "Reggae 4 Japan" is directly alligned with his ongoing humanitarian efforts. "I am an advocate for the United Nations World Food Programme, not only do they feed millions of people, they are involved on the ground in disaster stricken areas to provide logistical support to organizations such as the Red Cross," Stephenson says. "Its an honor for me to participate in 'Reggae 4 Japan' which will directly benefit the victims of this disaster and give back to those in need."

Reggae singer Tanya Stephens says "The disaster which hit Japan geographically affects all of us socially.....the Jamaican music industry has benefited enormously from the patronage of the Japanese reggae community, and we are too intertwined for the recent events to not be seen as a shared experience to grow from." "I am proud to be a part of this re-growth as the affected areas regain their footing and Japan becomes an even greater nation than before," Stephens adds with enthusiasm.

Following the earthquake and tsunami on March 11, 2011, Japan suffered great devastation. Japan's recovery from this catastrophe will take years. International support is critical to Japan's recovery efforts. The American Red Cross will continue to direct funds to help meet the survivors' unprecedented and evolving needs by making another $30 million donation to the Japanese Red Cross, bringing its contributions to date to more than $160 million. The Japanese Red Cross announced a $350 million long-term recovery plan support by donations from its international partners, including the American Red Cross.

Many of the donations that Japanese Red Cross has received from the American Red Cross and other international partners are being utilized to improve the living conditions for people in evacuation centers and temporary homes being constructed by the government. The Japanese Red Cross is supplying water, shower and kitchen facilities in evacuation centers. Donations are also being used to outfit the 72,000 pre-fabricated houses with six electrical appliances each, which will help help an estimated 280,000 people resume normal activities and jump start their recovery. The Japanese Red Cross has many efforts planned including support for social welfare programs for the elderly and children; improvements to the Japanese Red Cross disaster response capacity; emergency healthcare, psychological counseling and emotional support services; and procurement and distribution of relief items, such as blankets and clothes.

"I have been to the beautiful country of Japan - it's one of my most memorable tours with Morgan Heritage, and when my long time friend 'Chin' called and asked me if I was available I was naturally inclined to participate in this benefit concert...I believe it is critical that we as entertainers give when we can give, whether it is our time, money or talent," says singer Gramps Morgan. "I am looking forward to working with all the great Artists on the 'Reggae 4 Japan' event to raise funds that will go towards assisting Japan in its rebuilding efforts." 

"Reggae 4 Japan" will be an unparalleled event, which will shine on Japan as a topic of great importance. Although it has been nearly three month's since the eartquake and tsunami, Japan has continued needs during this critical recovery period. It is a pleasure to see members of the Reggae music fraternity and fans stand tall to support Japan in a monumental away. Reggae music fans and anyone that wants to come out to enjoy great music, while supporting an important cause, can still purchase tickets online (http://www.irishandchin.com) and at select retail outlets. 

For more information about the American Red Cross in Greater New York, please call 212-875-2617 or visit them online at www.nyredcross.org.

The American Red Cross name is used with its permission, which in no way constitutes an endorsement, express or implied, of any product, service, company, individual or political position.

 -end-

Reggae Artists Show Increased Interest in 'Reggae 4 Japan' and Japan Earthquake and Pacific Tsunami Relief Effort 

New York, New York -- May 9, 2011 -- Three-time Grammy Award-Winning artist Damian "Jr. Gong" Marley has officially joined the line-up of "Reggae 4 Japan," a benefit concert to support the Japan Earthquake and Pacific Tsunami Relief Effort of the American Red Cross on June 5, 2011 at the York College Performing Arts Center in Queens, New York. The addition of this world-renowned Reggae artist further solidifies the commitment of the Reggae music industry to aid Japan. "Reggae 4 Japan" is produced by Japanese sound system and ambassador of Reggae music Mighty Crown and their management team Irish and Chin with executive sponsorship from VP Records. Additional sponsorship for the concert is being provided by Irie Jam Radio (official media sponsor), Scion, Rocker's Island, 24x7 Records, Woofin', NRL, Far East Connection, Nesta Brand, Bennett Limo, Riddim Driven and Conkur Printing. 

"Japan has always had a great amount of fans support Reggae music and culture through out the years," says Damian "Jr. Gong" Marley. "It's only right that we give forward to lend some support to Japan in this much needed time." 

Popular Reggae artist Mr. Vegas is also new to the line-up. The singjay's involvement in "Reggae 4 Japan" injects a Dancehall element. In addition, "Reggae 4 Japan" has a roster heavy-hitting Reggae artists, who boast exceptional catalogues of music, including Freddie McGregor and the Big Ship Family (Stephen Di Genius, Chino and Laden), Maxi Priest, Tarrus Riley, Capleton, Fire Ball (Japan's #1 Dancehall/Reggae group), Tanya Stephens, Alaine, Gramps Morgan, Peter Morgan and Etana. Overall, Japan has played a strong role in the careers of most of the artists billed for the show. The artists deem their involvement with "Reggae 4 Japan" as a way of saying thanks and giving back.  

The increased interest and support of "Reggae 4 Japan" by Reggae artists and industry professionals clearly displays that Japan is in the hearts and on the minds of the Reggae music industry. It brings Mighty Crown pleasure that the Reggae music industry boldly and swiftly responded to their heartfelt plea for help. "I am really happy to see so many artists participating in this charity event..........this increase of involvement shows the love toward Japan and Reggae music," says Masta Simon, co-owner of Mighty Crown. "Respect to all artists who are supporting the event!"

"Irish and Chin has worked with Japan for well over a decade......a large part of our stronghold in the industry is due to our unique relationship with Japan's Reggae market," says Garfield "Chin" Bourne of Irish and Chin, co-producer of "Reggae 4 Japan" and Mighty Crown's manager.

"Playing the role as producer for this benefit concert and lending my resources to this worthy cause is the least I can do to show my gratitude." 

"We are showing our care and appreciation for Japan and thank our artists for donating their time and talent for such a good cause," says Chris Chin, owner of VP Records. "Ultimately, we would like to see large numbers of people come out to support this extremely important event." 

"Reggae 4 Japan" will be an intimate staging with limited seating (less than 1500 seats). This unprecedented and historical benefit concert will mark the first official stage show of the summer in the New York Tri-state area and one of the strongest line-ups that New York has witnessed in quite some time. While the benefit concert is a U.S. based fundraising effort for Japan, Mighty Crown and members of their family have been on the ground in Japan lending their time, energy, effort and resources to provide assistance to people in the affected areas in the form of food, water, toys and music/entertainment. The Japanese sound system recognizes that there is still a lot of work to be done.  

"Almost two months have passed and things are sill rough for the victims......lots of people are waiting for the government to build tentative houses, as things are moving slower than schedule," says Masta Simon. "Furthermore, the newspaper states that it will take at least three years to clean up the heap of rubble caused by the earthquake and tsunami."

"What the victims need is caring and love....this benefit concert will definitely be a relief for the victims in more ways than one....it shows a bond through Reggae music," adds Masta Simon passionately.  

Immediately following the event, Mighty Crown and Irish and Chin will donate profits from "Reggae 4 Japan" in the form of a check to the American Red Cross, specifically to their Japan Earthquake and Pacific Tsunami Relief Effort. To date, the American Red Cross has supported their partners the Japanese Red Cross with $100 million. Additionally, the American Red Cross is funding half of the UN World Food Programme's logistical operation in Japan for the delivery and storage of relief items at a cost of $500,000.

The American Red Cross will continue to support their Japanese partners as they help survivors take an important step toward early recovery. Since March 11, the Japanese Red Cross has been providing tens of thousands of Japanese with emergency relief, medical services, emotional counseling and now it's helping to equip 70,000 temporary homes with essential appliances like refrigerators, washing machines, rice cookers and microwave ovens. Additionally, the Japanese Red Cross, through local municipalities, will soon start to distribute cash grants to survivors. 

"Reggae 4 Japan" tickets are on sale now -- there is limited seating: http://www.irishandchin.com/reggae4japan. Tickets will be on sale at select retail outlets later this week.

Media seeking accreditation should contact Flair Lindsey, This e-mail address is being protected from spambots. You need JavaScript enabled to view it or Anthony Turner, This e-mail address is being protected from spambots. You need JavaScript enabled to view it .

For more information about the American Red Cross in Greater New York, please call 212-875-2617 or visit them online at www.nyredcross.org . 

The American Red Cross name is used with its permission, which in no way constitutes an endorsement, express or implied, of any product, service, company, individual or political position.

### 

 New York, New York -- May 4, 2011 -- Thousands of people turned out last weekend on Saturday, April 30 to take in the vibes of true Reggae music and entertainment during the third installment of Irish and Chin's "Reeewind," which served as an official celebration of Mighty Crown's 20th Anniversary. For nearly four straight hours, a myriad of Reggae music icons delivered strong performances to the crowd of enthusiasts. Clearly, "Reeewind & Come Again" further solidified the "Reeewind" brand and thrived as New York's premiere Reggae event of the year.  

Filling in for Jah Love sound system was legendary sound Downbeat. With great sadness, Jah Love's selector Ilawi was hospitalized upon his arrival to the U.S. Irish and Chin is happy that Ilawi is recovering and was able to receive the care that he needs. Brigadier Jerry said heartfelt prayers for "his selector" Ilawi, along with the audience, prior to his performance. Remarkably, even with dampened spirits, Brigadier Jerry still performed flawlessly through out the evening.  

As Amazura quickly converted into an intense "Rub-a-Dub" meets Dancehall session, the vibes were flowing as soon as the artists/DJs touched down on the stage. Once David Rodigan dropped riddims, his squad of artists filed in. Early in the night, Sanchez laced the "Rub-a-Dub" riddims with his pristine vocals. He was well received by the audience as they sang snippets of his selections verbatim. At times, Sanchez was joined by members of his former crew Flourgon, Daddy Lizard and Red Dragon to liven up the crowd. All had commendable performances. Without question, Admiral Bailey injected an intense Dancehall vibe into the package. The DJ scored with the audience, as he belted his hit Dancehall and freestyle lyrics over the riddims.

Cocoa Tea was undeniably a highlight of the evening. The singer smoothly unleashed lyrics from his immense catalogue on the audience, while riding the infectious "Rub-a-Dub" riddims. Whenever Cocoa Tea touched the microphone, a huge roar from the crowd ensued. He teased the audience with his monstrous hit "Tune In," before exiting the stage. To make his segments event sweeter, Cocoa Tea was periodically joined by Sanchez. Together, the vocalists boasted impeccable vocal delivery. King Shango, also known as Capleton, had an extensive set. It was evident that a huge number of Capleton fans were in the audience, as screams billowed through the venue whenever he delivered popular hooks and verses over the riddims. 

"I thank patrons for making the third installment of 'Reeewind' a great event......the latest 'Reeewind' further exhibits that artists can come together in a harmonious way to uplift Reggae music and culture," says Garfield "Chin" Bourne of Irish and Chin. "To me, all of the performances were flawless......I enjoyed every minute of them." 

A "Rub-a-Dub" style event would not be complete without the inclusion of General Trees. Truly a master of his craft, General Trees rode over numerous riddims without a hitch. Additionally, the DJ had sporadic comedic interjections that drove the audience wild. With great stage presence and command of the crowd, General Trees was a hit! Charlie Chaplin received an overwhelming welcome from the huge crowd, as he hasn't performed in the New York area in years. The DJ had a great night, perfectly toasting over the "Rub-a-Dub" riddims -- compliments of Downbeat. The one and only Brigadier Jerry shared the stage with Charlie Chaplin for a few sets. The two had dynamic lyrical exchange.

"Reeewind & Come Again" Photos: http://irishandchin.com/photos/ajamu-photography/reewind-april-30-2011 .

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New York, New York – April 26, 2011 -- It's the final stretch before New York's most anticipated Reggae event of the year, "Reeewind & Come Again." And as the days before "Reeewind" unfold, the Reggae massive are bracing them selves for the fiery return of the flame thrower himself Capleton. By popular demand, Capleton "The Prophet" will be returning to the "Reeewind" stage on Saturday, April 30 for an encore performance. The deejay is ready to blaze at "Reeewind," as he fills a huge slot on the lofty "Rub-a-Dub" team, which also consists of Cocoa Tea, Brigadier Jerry, General Trees and Charlie Chaplin. 

Ready and armed to perform over the "Rub-a-Dub" riddims that Ilawi drops, Capleton is no stranger to performing on sound systems. Namely, the larger-than-life deejay spent much of his early career on the African Star sound system. With this experience, Capleton's gift of riding riddims came to fruition. In addition to Capleton's knack for toasting on sounds, the artist boasts a catalogue that is to be rivaled. A fixture in the Dancehall industry since the 80's, Capleton's huge catalogue of cultural songs makes him an ideal fit on the "Rub-a-Dub" team and match for the culturally-inspired Jah Love sound system.

 When Capleton made his debut at "Reeewind" in 2009, the patrons went wild. Although the deejay shared the stage with many other icons in the industry, Capleton still had an enormous impact on the audience. At times, the audience exhibited crazed adulation for Capleton. Excited about returning to "Reeewind" and performing with legendary sound system Jah Love, Capleton promises that his set will be even greater than his debut. Whether one refers to him as Capleton, King Shango or "The Prophet" -- patrons will get an overloaded dose of the artist at "Reeewind." 

Capleton is by all means an international Reggae star. The Deejay has performed through out the world, receiving acclaim for his electrifying performances. Over the years, Capleton has provided a soundtrack for Reggae Dancehall music. Early anthems like "Number One Pon the Look Good Chart," "Bumbo Red" and others helped set Dancehall's tone in the late 80's – while, mainstream hits like "Tour," "Music is a Mission" and "Wings of the Morning" thrust Capleton to worldwide popularity and secured him a deal with Def Jam in the mid 90's. As Capelton moved to more concious music, he dropped unforgettable anthems like "Jah Jah City," "Small World" and "That Day Will Come," among countless others. 

No true fan of Reggae music should miss Capleton's return to "Reeewind." Patrons will surely get more than their money's worth at "Reeewind," when two teams of great artists and sounds showcase "Rub-a-Dub" meets Dancehall in an epic fashion. Tickets for the landmark "Reeewind" can be purchased online (http://www.irishandchin.com/buy-tickets) and at various retail outlets. Don't miss the event that everyone is raving over. At "Reeewind," the vibes of yesterday will entertain fans for more than four hours.  

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"I have returned to 'Reeewind' this year because the concept and vibes are incredible......I like that 'Reeewind' takes you back to a time when Dancehall was nice," says Admiral Bailey. "I am looking forward to the vibes and energy of the performers/sounds and most of all -- the people dem."

Admiral Bailey is an extremely talented artist with a slew of hit recordings under his belt. Much to his credit, the DJ can still maintain heavy vibes during his live performances. His career, which jump started with King Jammy's, spans three decades. Admiral Bailey actually joined King Jammy's at a time when new dancehall riddims were ruling the world. Over the years, "The Admiral" has delivered Dancehall-defining anthems like "Punany," "Think Me Did Done," "Kill Them With It," "Gal You Body Good," "Health Body," and countless others. Actually, "Punany" set the standard for Dancehall music to follow, making Admiral Bailey a true Dancehall star.

"Having Admiral Bailey as a last minute addition to this year's package truly adds to the excitement," says Garfield "Chin" Bourne, event promoter and fan. "Admiral Bailey brings a competitive element to the mix.....when one says Admiral Bailey, you can't help but think of his monstrous hits and over-the-top stage charisma."

Admiral Bailey boasts the unique skill of performing his chart toppers on virtually any riddim -- affording patrons with a special take/different effect of his hit music. The DJ's catalogue is so thick that one never knows what's coming next. There has been a huge buzz since Admiral Bailey's debut at "Reeewind" in 2010. It's a year later -- and thousands of fans are still raving over Admiral Bailey's performance -- debating over whether "The Admiral" or Shabba Ranks stole the show.

Admiral Bailey's performance on April 30 will mark the DJ's official return to the New York Tri-State area since his flawless stint at "Reeewind" in 2010. The one and only Admiral Bailey is anxious to toast with members of the 80's Dancehall fraternity and selector David Rodigan. Get ready for Admiral Bailey's explosive return to "Reeewind."

" I am absolutely delighted to hear that Admiral Bailey has joined the Dancehall team; let's face it -- Bailey is a true DJ master with the most hits," says ace sound man David Rodigan. "So, hey New York, run come celebrate at Amazura next week Saturday!"

TICKETS: http://www.irishandchin.com/buy-tickets

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New York, New York -- April 14, 2011 -- In the midst of this year's "Rub-a-Dub Meets Dancehall" showdown at "Reeewind," ace singers Sanchez and Coco Tea will be front and center on the Amazura stage to represent two distinct eras of Reggae music. Certainly, "Reeewind" is not set to be a clash -- but things could get quite competitive when each singer unleashes their slew of hits on the massive. 

The sweet, golden voice of Coco Tea will be only one of it's sort featured on the Jah Love sound, as the vocalist will be surrounded by top DJs Capleton, Brigadier Jerry, Charlie Chaplin and General Trees. Together, Coco Tea and his team will give modern day Dancehall patrons a blast of what the music was like decades ago. The Jah Love camp will boldly display "Rub-a-Dub," a time when selectors played riddims that were graced with the sweet vocals and coarse voices of Reggae music's traditional superstars -- otherwise known as live artists. Although Cocoa Tea is a great representative of the "Rub-a-Dub," era, he is one of the few vocalists of this time period to experience commercial success in the Dancehall era. 

Jah love, a sound system widely known for their cultural aspect, hard-hitting bass lines and clear message of the Rastafarian faith, will serve as the ideal backdrop for Coco Tea to let loose his massive, vintage catalog of songs that made him who he is today. "Sweet Sweet Coco Tea," as many have come to call him, started his career in the Dancehall performing on a number of the industry's top sound systems. It's been quite a while since the singer has returned to his roots, the essence of short vocals blazing heavy bass lines in front of a roaring crowd. Undoubtedly, Cocoa Tea's performance is highly anticipated.

Jamaica's humming bird, Sanchez, will also stand tall as the only vocalist on his squad of top recording artists from the 80's --including former camp mates Flourgan, Daddy Lizard and Red Dragon -- formerly of Rambo Mango sound system. Sanchez will be backed by David Rodigan (a sound/radio hero of this era). And his team will be representing Dancehall, 80's to be exact. Although Reggae music enthusiasts tend to compare the similarities of the early Dancehall and "Rub-a-Dub" eras, they have distinct differences. By the mid-80's, the era in which Sanchez and his team culminated their careers, 45 recordings started to dominate the industry -- a phenomenon that was foreign to the "Rub-a-Dub" era. Therefore, the performance of Sanchez and his team will be primarily characterized by hit recordings. 

Reggae Dancehall fans have been afforded with the phenomenal vocals of Sanchez for more than two decades, as the singer has excelled in covering popular mainstream songs and converting them into Jamaican smashes! The singer has also brought some of his own penned songs/lyrics to the table -- creating a bevy of hits for himself. Rated as one of the best and most popular Jamaican vocalists of Reggae/Dancehall music and culture, Sanchez has the power to thrill masses, simply by humming over a track.  

Unlike other singers of the modern day Dancehall, both Sanchez and Coco Tea have the impeccable ability and talent to sing over any riddim a selector brings forth. Their versatility has allowed them to stand out among the best in their class. Again, this "REEEWIND" is not slated as a competition between the two, but it will be a memorable and historical comparison between two Golden eras of Jamaican music. Get your tickets, this year's "Reeewind" will be history in the making! 

TICKETS: http://www.irishandchin.com/buy-tickets

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New York, New York -- April 11, 2011 -- Leading Japanese sound system and ambassador of Reggae music Mighty Crown and their management team Irish and Chin, in conjunction with VP Records, media partner IrieJam Radio and Japanese corporate sponsors Nine Rulaz Line, Woofin' Magazine, Yokohama Trading, 24x7 Records, Rockers Island and Nesta Clothing, have anchored a new date of June 5, 2011 for the "Reggae 4 Japan" benefit concert at York College in Queens, New York and a heavy line of leading Reggae artists including Maxi Priest, Freddie McGregor and the Big Ship Family, Capleton, Tarrus Riley, Gramps Morgan, Peter Morgan, Alaine, Tanya Stephens, and Etana -- backed by the Ruff Kutt band. Additional acts are being confirmed, which will make this quite a powerful event. Since the announcement of "Reggae 4 Japan" more than two weeks ago to rally the Reggae community in support of Japan's earthquake relief, an overwhelming amount of enthusiasm has ensued. To better accommodate involvement of artists and music industry professionals, a new date was identified.

International Reggae singer Maxi Priest says, "Japan is like home and family, as I have been going to Japan since the mid 80's.....I have a lot of close friends in Japan and know people who are directly affected by the disaster." "Japan has done a lot for the reggae industry, so I am unquestionably involved with 'Reggae 4 Japan' because of my connection and for the sheer love of humanity," concludes Maxi Priest. 

"I have been touring Japan for over 25 years and have gone there more than any other artist except Maxi Priest......my first time there was in 1985 for Japan's first Reggae Sunsplash," says iconic Reggae singer Freddie McGregor. "Since then, I have been traveling to Japan at least 4 times a year....thankfully, I have been extremely popular in Japan due to promotions and recording. I have to give back because of my strong connection to Japan over the years." 

"In this life, it's all about helping each other....when one is in trouble -- you reach out and help," says Masta Simon, co-owner of Mighty Crown. "I am forever grateful for the support of the Reggae community in this effort......with such a great need for relief in Japan, I am calling out to all people to help." "Regardless of one's connection to Japan -- be it Reggae music, electronics, automotive, fashion, etc. -- I am calling on everyone to come out and support," Masta Simon adds passionately. 

There has been great devastation in Japan since the earthquake of March 11, which resulted in a barrage of horrific consequences including a tsunami, nuclear power plant explosions and partial meltdown, aftershocks and subsequent earthquakes in April. Japan's need of assistance is great, as the country aims to repair nuclear plants, provide shelter/food/necessities to citizens, ensure medical care, clean debris and rebuild. To support the ongoing efforts of their homeland in the wake of the disaster, Mighty Crown has been dedicated to converging the Reggae music industry to support Japan. "Reggae 4 Japan" will support humanitarian efforts in Japan, as Mighty Crown will donate proceeds to the American Red Cross Japan Earthquake and Pacific Tsunami Relief. 

Mighty Crown, who was in Japan at the time of the Earthquake, witnessed the impact of the disaster on their homeland. Passionate about aiding Japan, Mighty Crown reached out to the Reggae community and they responded without hesitation. It's clear that Reggae music is a universal music and force that unites all people. Just as Japan wholeheartedly supports Reggae music and culture, the Reggae music industry/fans support Japan. 

Top Reggae music label VP Records has stepped in to give a hand with "Reggae 4 Japan" by urging the involvement of their artists. As Japan has been a large consumer of VP Records music and home to one of their international offices, they have forged strong ties with Japan over the years. IrieJam Radio also graciously vowed to garner involvement of radio outlets in the Tri-State area by coordinating advertising efforts and interviews. Other radio stations who have made a bold commitment to "Reggae 4 Japan" include Red Hot Radio, Roadblock Radio and Busy Radio. All will ensure that "Reggae 4 Japan" is well promoted and attended.

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New York, New York -- April 8, 2011 -- The excitement surrounding the third installment of Irish and Chin's "Reeewind & Come Again," set for Saturday, April 30 in Amazura, is brewing. In the midst of the star-studded "Reeewind" package, patrons will be thrilled by a "Three the Hard Way" lyrical exhibition by two teams of ace DJs from different eras of music. Namely, Brigadier Jerry, General Trees and Charlie Chaplin (defining stars of the Rub-a-Dub era, represented by Ilawi of Jah Love sound system) will meet Flourgan, Red Dragon and Daddy Lizard (famed recording Dancehall trio of the 80's, represented by selector David Rodigan).

General Trees, Charlie Chaplin and Brigadier Jerry boldly represent an era of live artists on Rub-a-Dub sound systems. Meanwhile, Flourgan, Red Dragon and Daddy Lizard were best known for their slew of hit 45 Dancehall recordings. Mainly respected as top Dancehall recording artists of their time, Flourgan, Red Dragon and Daddy Lizard also boast live sound system experience (Along with Sanchez, the trio had a stint as resident DJs for a sound system in the 80's called "Rambo Mango"). "Reeewind & Come Again's" "Three the Hard Way" exhibition will be captured by live lyrics vs. hit songs. It will be interesting to see how patrons react to the combination. Many Reggae music enthusiasts debate which era was the most significant/enjoyable -- live artist or recording artist. Truthfully, there isn't a right or wrong belief, as both eras had a significant impact on Reggae music as a whole. 

Both "Three the Hard Way" teams have respect and notoriety. Brigadier Jerry, often referred to as "The General," is saluted by many as the father of the DJ industry. Also merited for being a DJ who can single-handedly woo patrons with his lyrics for hours at a time, Brigadier Jerry is an original member of Jah Love sound system. Originally, the crew consisted of Ilawi the selector and Brigadier Jerry as the sound's ace DJ. This crew was a force to reckoned with. General Trees hails from the legendary Black Scorpio sound. Still credited as being one of the industry's most unique DJs, General Trees is known for his rock stony voice and his competitive ability. General Trees thrust Black Scorpio to a high level of fame, holding them there for many years. This veteran DJ's style went on to influence the next generation of artists. 

Charlie Chaplin, "The Principal," rose to fame on the legendary King Stur Gav sound system. Applauded for his witty and cultural lyrics, Charlie Chaplin has always been an icon in the arena of live sound system entertainment. This popular DJ set the standard for others who followed. It will be quite a site to see how three top Rub-a-Dub DJs from three different sound systems (Jah Love, Stur Gav and Black Scorpio) ome together to work as a team to represent the Rub-a-Dub era, as it is compares to the Dancehall era at this year's "Reeewind." 

The Dancehall trio boasts a lot of chemistry, as they have been members of the same camp for most of their careers. Sharing the stage for infinite performances, this trio has cohesion and a number of hits under their belts. Flourgan scored hits like "Big Batty Gal," "Duck Dance" and " We Run Tings," all very strong songs of the 80's Dancehall. Meanwhile, Red Dragon gave genre defining songs including "Fresh," "Agony" and "Cucucum," again -- major songs of the era. And one can't omit Daddy Lizard, as he is responsible for classics like "Haffi Fly Out" and "Dibi, Dibi Gal." In addition to solo hits, members of this camp also had memorable collaborations with top vocal artists of the era like Sanchez, Anthony Malvo and more.

"The eras that each trio represent have played a great influence on my knowledge of Reggae music and culture.....as a young selector, the music of Flourgan, Daddy Lizard and Red Dragon had constant rotation during my sets. They were my 'go to' songs to get the crowd bubbling," says Chin of Irish and Chin. "The entertainment offered by Brigadier Jerry, General Trees and Charlie Chaplin truly taught me the foundation of Dancehall music....it's hard to appreciate one era without appreciating the other." 

This edition of "Reeewind" will mark the first time in many years that Red Dragon, Daddy Lizard and Flourgan will perform together on one stage in the U.S. To add spice to the already well-seasoned trio, Sanchez, original camp member and one of Dancehall's most prominent singers, will be reuniting with them. Set to be an epic reunion, "Reeewind" will be the trio and Sanchez's first time ever performing in a "Rub-a-Dub" style outside of Jamaica. Get ready massive! This you don't want to miss.

TICKETS:

http://www.irishandchin.com/buy-tickets

'SOUND CHAT' WITH CHARLIE CHAPLIN:

http://irishandchin.com/irish-and-chin-tv/sound-chat/viewvideo/3206/sound-chat/sound-chat-with-charlie-chaplin-pt1

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New York, New York -- March 29, 2011-- The third installment of Reeewind -- "Reeewind & Come Again -- Rub-a-Dub Meets Dancehall" will certainly be an event for the annals of Reggae history when the original Jah Love Sound meets up with legendary selector Sir David Rodigan for a night-long session with top artists on Saturday, April 30 at Amazura in Queens, NY. This year's highly anticipated "Reeewind" will serve as a milestone 20th Anniversary celebration for Mighty Crown. Dedicated to Reggae music and culture, the Far East Rulers believe that "Reeewind" is an ideal way to celebrate 20 years in the business. 

Reggae Dancehall fans and aficionados of sound system culture will be in for a treat as notorious Rub-a-Dub selector Ilawi takes control of Jah Love. Revered as being on of the greatest selectors of his era, Ilawi's musical selections inspired and drew many people to the Rastafarian faith. Technically, Jah Love is credited with being one of the most powerful sounds in sound system history. Without hesitation, Rodigan owes much of his love for Reggae Rub-a-Dub to the Jah Love era. At "Reeewind & Come Again," Jah Love will dutifully represent the Rub-a-Dub team of Cocoa Tea, Capleton, General Trees, Briggy, and Charlie Chaplin.

Notably, this will be the first time that Rodigan and Jah Love will share the same stage. David Rodigan will also be bringing his wide knowledge of Reggae music and legacy to Amazura. Although David Rodigan holds the utmost respect for the Rub-a-Dub era, he is actually more of an up-tempo selector. Hence, David Rodigan will represent the dancehall team of Sanchez and his notorious crew Red Dragon, Flourgan and Daddy Lizard. A starch contrast from the norm, this will be Rodigan's first time performing with live artists. 

"Reeewind" will vividly recapture the era of live artist performances on powerhouse sounds. Both David Rodigan and Jah Love have many qualities and accolades to their names. Ilawi is a Rub-a-Dub force, while David Rodigan boasts an arsenal of vintage selections and high powered dub plates. Overall, there is a huge demand for both David Rodigan and Jah Love. In fact, Jah Love has not had a U.S. performance in many years. This 100% culture sound is ready for a blow out on April 30. 

"This year, the 'Reeewind' package is designed to please a diverse audience.....we wanted to capture the true essence of vintage Dancehall and at the same time satisfy 'Reeewind's' Rub-a-Dub fans," says Garfield "Chin" Bourne of Irish and Chin. 

The combination of David Rodigan and Jah Love will attract a wide arrange of Reggae enthusiasts. These sounds will provide a musical backdrop for the artists -- guaranteeing a night of strong, quality entertainment. "Reeewind" will boast high level performances, allowing patrons to get more than their money's worth. In a short time "Reeewind" has become one of the most anticipated Reggae/Dancehall events on the East Coast. Simply put, "Reeewind" is the event you can trust. 

"A lot of planning goes into our events.....we continue to lead the other promoters with our turn out and support because of our ability to create concepts that our patrons fall in love with," says Chin. "No 'Reeewind' concept is the same." 

Click here to purchase tickets for "Reeewind": http://www.irishandchin.com/buy-tickets.

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New York, New York -- March 21, 2011 -- To support Japan's earthquake relief, Japanese sound system and ambassador of Reggae music Mighty Crown and their management team Irish and Chin, are calling on the Reggae community and all people for help. Namely, Mighty Crown and Irish and Chin, with support from VP Records and media partner Irie Jam Radio, are staging "Reggae 4 Japan" on Thursday, April 21 at York College in Queens, New York. Slated to feature top Reggae music acts, the benefit concert's proceeds will go to the American Red Cross Japan Earthquake Relief. The country of Japan has experienced great devastation and crisis as a result of the earthquake, subsequent tsunami, nuclear power plant explosions and partial meltdown. Japan is in great need of aid as they deal with the aftermath of recent horrific events. 

Mighty Crown, who was in Japan at the time of the Earthquake, witnessed the impact of the disaster on their homeland. Passionate about aiding Japan, Mighty Crown reached out to the Reggae community and they responded without hesitation. It's clear that Reggae music is a universal music and force that unites all people. Just as Japan wholeheartedly supports Reggae music and culture, the Reggae music industry/fans support Japan. "In this life, it's all about helping each other....when one is in trouble -- you reach out and help," says Masta Simon, co-owner of Mighty Crown. "I am forever grateful for the support of the Reggae community in this effort......with such a great need for relief in Japan, I am calling out to all people to help." "Regardless of one's connection to Japan -- be it Reggae music, electronics, automotives, fashion, etc. -- I am calling on everyone to come out and support," Masta Simon adds passionately. 

VP Records dutifully stepped in to support "Reggae 4 Japan" by providing the majority of entertainment pegged for the line-up. Their swift response is an indicator of the commitment that the Reggae industry has to helping Japan. "We are happy to be involved in 'Reggae 4 Japan,' as Japan has incessantly embraced Reggae music and culture over the years," says Chris Chin, owner of VP Records. "We are showing our care and appreciation for Japan and thank our artists for donating their time and talent for such a good cause.......ultimately, we would like to see large numbers of people come out to support this extremely important event. 

The line up will be announced in the days to come, once appearances are finalized. Based on the artists who have already confirmed, "Reggae 4 Japan" will be a benefit concert of epic proportion and for a great cause. IrieJam Radio also graciously stepped in to rally support from other radio outlets in the Tri-State area by coordinating advertising efforts, interviews and other support. IrieJam Radio is lending a hand to ensure that "Reggae 4 Japan" is widely promoted and well attended.

This year is Mighty Crown's 20th Anniversary, but without question -- the spirit for celebrating this year has changed since the disaster. Because of Japan's crisis, even after "Reggae 4 Japan," Mighty Crown will be dedicated to helping their homeland overcome. Specifically, Mighty Crown/Irish and Chin will donate a portion of proceeds from their anniversary billed events to support efforts in Japan. Mighty Crown encourages all people to come out to the "Reggae 4 Japan" benefit concert on April 21. More event details will follow. Due to limited space, only select media will be permitted into the event. If you are a media outlet interested in covering this event, please contact Irish and Chin soon.

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New York, New York -- March 9, 2011-- Irish and Chin promises an explosive third installment of their popular series "Reeewind & Come Again" on Saturday, April 30 at Amazura, which will be hosted by DJ Roy of IrieJam Radio. This year's highly anticipated "Reeewind" will serve as a milestone 20th Anniversary celebration for Mighty Crown. Dedicated to Reggae music and culture, the Far East Rulers believe that "Reeewind" is an ideal way to celebrate 20 years in the business. Featuring two historical and leading sounds Jah Love, with original selector Ilawi, and David Rodigan, Rub-a-dub will officially meet Dancehall during "Reeewind." During this year's promotional campaign, Irish and Chin gave "Reeewind" fans a chance to pick the artists that they wanted to see perform in support of the Rub-a-dub meets vintage Dancehall theme. Among the requests, came a demand for encore performances from Brigadier Jerry, Capleton and General Trees.

In just two years, "Reeewind" has grown to become the event you can trust. Always delivering a minimum of 4 hours of live entertainment from the best sounds and artists in the industry, very few events in the New York Tri-state area can match "Reeewind's" standard. In fact, as far as Reggae Dancehall is concerned, "Reeewind" has been the biggest indoor event in the Tri-state. Based on a strictly old school premise, "Reeewind" has won over the massive with past performances from legends like King Stur Gav, the late Sugar Minott, Shabba, Tiger, Admiral Bailey, Barrington Levy, and many more. This year's line-up is set to turn up the volume of "Reeewind" as Irish and Chin introduces artists including Cocoa Tea, Sanchez, Charlie Chaplin, Flourgan, Daddy Lizard and Red Dragon to their Rub-a-dub arena.

There is so much excitement surrounding this edition of "Reeewind." Since the dynamic line up was released two weeks ago, "Reeewind" has been heavy on the minds and in the mouths of fans. But what has an even greater buzz is hearing from "The Principal" Charlie Chaplin himself that he is confirmed for the line-up (click here for audio commercial, http://www.irishandchin.com). Charlie Chaplin's presence at "Reeewind" is of great value, as he is an artist who rarely performs in America. Because "Reeewind" so vividly captures the essence of Charlie Chaplin's Rub-a-dub era, the event is an ideal fit for him. Charlie Chaplin's involvement in "Reeewind," along with Brigadier Jerry and General Trees, will solidify a "three-the-hardway" of prominent deejay's from the Rub-a-dub era. 

To further add to "Reeewind's" thrilling line up, fans will have a chance to witness Sanchez and Cocoa Tea, two of the industry's most successful singers, sharing one stage in Rub-a-dub style. "Reeewind" will also be the historical sound Jah Love's first U.S. performance in many years and the first time that the sound features this select group of artists. While David Rodigan is one of the most respected figures in the industry, being a part of "Reewind" means a lot to the legendary selector. It will be Rodigan's first event of this nature, debut U.S. performance with live artists and first time playing alongside Jah Love.

As this "Reeewind" strives to highlight both Rub-a-dub and Dancehall elements, all artists are looking forward to the experience. So far, "Reeewind & Come Again" has been the most talked about event of the year. The anticipation for 'Reeewind" is great, as tickets started selling before a line up was announced. With artists set to hit the stage at midnight, the high caliber entertainment will last until the wee hours of the morning. At "Reeewind & Come Again," the massive will get more than their monies worth. To keep the momentum, a fourth installment of "Reeewind" has been pegged for October 2011.

Click here to purchase tickets for "Reeewind": http://www.irishandchin.com/buy-tickets . 

-end-

 Kingston, Jamaica - February 23, 2011 -- Irishandchin.com sits down with Donovan Germain, super producer, artist development guru and former manager of the Grammy-award winning Buju Banton, for the first filmed interview of his 40-year illustrious career. A true pioneer, who has been billed as the most successful Reggae producer in the digital era, Germain gives Irishandchin.com an exclusive tell-all interview, which is featured in the site's producer-inspired "Behind the Music" series. The interview is by all means of historical significance for Reggae music.

The interview is truly an attention grabber as Germain's face is definitely not one that Reggae enthusiasts see on a regular basis. Even though Germain's career and impact on Reggae music is larger than life, the producer's interview was graced with humility from the very start. Shedding light on his inspirations, rise to fame, artist relationships, what makes quality music, and issues in the Reggae music industry, Germain leaves no stones unturned. In fact, the interview was so chock-full of content, that it had to be featured in two segments.

When asked about his reluctance to do interviews, Germain responds "I didn't do interviews before because I never thought they were necessary." The producer adds sincerely "I did it now because there are a lot of issues in the industry that need to be addressed and I have accumulated enough issues, so I need to address them."

From early on in the interview, Germain gives credit to super Reggae producers Gussie Clark, Lloyd Campbell and Sonia Pottinger for inspiring his craft. As Germain started his career as the owner of a record store, he details his progression to producer stating "even though I learned the business backward and wasn't originally a producer -- in the record store, I got the first chance to see how customers' responded to songs....this was very important." 

Germain carried his customer-driven mindset with him through his rise, landing early impressive productions including Sugar Minott's "Good Thing Going" and Audrey Hall's "One Dance Won't Do" under his Revolutionary Sounds imprint in New York. But it was the opening of Penthouse Studio and Records that skyrocketed Germain's career to unprecedented levels. It's there that he worked with nearly every star of the Reggae music industry. 

On producing quality music, Germain says "one of the most important ingredients of a song is an infectious melody.....without it a song is just words." Through out his career, Germain has prided himself with producing stellar music. He says "once you set high standards without ever compromising them, people will always respect what you are doing." It's great songs like Freddie McGreggor's chart-topper "Just Don't want to be Lonely," Beres Hammond's "I Feel Good," Buju Banton/Wayne Wonder's "Bonafide Love" (Movie Star), Buju Banton/Beres Hammond's "Who Say," "Pull It Up," "Honeycomb" and other classics from Germain's extensive catalogue that hold true to the producer's credo.

Ultimately, through Penthouse, Germain solidified himself as a staple Reggae Dancehall producer by working and solidifying relationships with the likes of Mad Cobra, Cutty Ranks, Tony Rebel, Marcia Griffiths, Freddie McGreggor, Morgan Heritage, Wayne Wonder, Beres Hammond and more. Germain's most successful venture to date has been with the Gargamel himself Buju Banton, who afforded the famed producer with more number one hits than any other artist. In the Reggae music industry, the names Donovan Germain, Penthouse Records and Buju Banton are synonymous.

When speaking on Buju Banton, Germain is very passionate. It's clear that their long-term production and managerial relationship was significant. He credited Buju with being extremely talented, indicating that success came to him at a very early age. Furthermore, Germain defined his critical role in the development of Buju's career. Through out the interview, a central theme of building relationships resonates. "I believe in long relationships," the producer confirms. "I build them, so that when you take away the business, there is creativity -- allowing things to flow better."

The Donovan Germain interview in Irisandchin.com's "Behind the Music" is enlightening, inspiring and informative. Whether one is a Reggae music fan, artist, songwriter or producer, all who see the Germain interview will take something valuable from it. "It was an honor for my site to be granted an exclusive interview with a driving force in the Reggae music industry, Donovan Germain," says site owner Garfield "Chin" Bourne. "I have a deep rooted respect for Germain's impeccable music that stems back to my early days as a sound man."

The newly revamped Irishandchin.com offers Reggae Dancehall fans and aficionados a place to see candid interviews with their favorite and top artists, sounds, selectors, celebrities and producers. The online portal also boasts extensive pictorial and video coverage of leading Reggae events, new music videos and special features. Moreover, in addition to the site's popular "Behind the Music," weekly series like "Sound Chat," "Vybin with the Stars," "On the Rise" and "Money Pull-Up" are also thriving.

 Click here to view the Donovan Germain interview on Irishandchin.com:

http://irishandchin.com/irish-and-chin-tv/behind-the-music/viewvideo/3143/behind-the-music/behind-the-music-with-donovan-germain-pt1

Kingston, Jamaica -- February 10, 2011 -- Jamaica's entertaining and humorous hit play "Ghett-Out," featuring Keith "Shebada" Ramsay and an all-star cast, is making it's long awaited U.S. debut on March 19, 2011 (Hartford, Connecticut - Weaver High School) and March 20, 2011 (Queens, New York - York College). Promotions company Irish and Chin promises two full nights of top Jamaican theater with a dancehall twist.

This latest comedic masterpiece, which hails from Stages Productions, boasts a seasoned cast including the one and only Keith "Shebada" Ramsay, Abigail "Maude" Grant, Maxwell "Run Tings" Grant, Maylynne "Barbara" Walton, Luke "Makka" Ellington, Junior Williams and Orville "Ruler" Hall. Notably, the premiere of "Ghett-Out" marks the highly anticipated return of popular actor Keith Ramsay to New York and Connecticut and to his namesake role of "Shebada." "Ghett-Out" features several members of the breakout sensation "Bashment Granny."

Over the past two years, Irish and Chin has brought some of Jamaica's best theater to New York and the tri-state area. Dedicated to providing a top rate entertainment experience to patrons, Irish and Chin incorporates a dancehall element into all of their stagings. Irish and Chin has teamed up with JW Promotions, headed by Junior Wellington, for the Hartford, Connecticut leg. With many years of theater promotions and event production experience under their belt, JW Promotions is an ideal company to partner with. Like Irish and Chin, JW Promotions aims to please patrons. It's always a success when Irish and Chin and JW Promotions collaborate. 

From the overall ambiance to the guest hosts, giveaways and dancehall infused intermissions, Irish and Chin's stagings resemble full-fledged bashments. Fit for patrons of all ages, everyone exits Irish and Chin's shows with smiles on their faces. To add to the exciting Hartford and Queens productions of "Ghett-Out," the over-the-top and witty Jamaican comedian Pretty Boy Floyd will take on the role of host and resident comic. Impressive giveaways will go down at both stagings. And of course, it wouldn't be an Irish and Chin promotion without top dancehall music from DJ Roy of IrieJam radio.

"Ghett-Out" is centered on real-life inner-city struggles of residents seeking a better life. "Ghett-Out" follows the lives of residents in a tenement yard who are met face to face with corruption as their little "piece" of real-estate is set to be transformed into a thriving housing project and commercial district. As the action unfolds, things get sticky for all involved. Humorous injections, especially from Shebada, Maude and Ruler, will ensure eruptions of laugher among audience members.

On the surface, "Ghett-Out" is all fun and games, but an undercurrent exploring corruption and socio-political commentary in Jamaica lurks throughout, adding to the appeal of the production. Fast-paced and entertaining, theatergoers are guaranteed spontaneous laughter from cast performances, especially the antics of Shebada, Maude and Ruler.

To catch a the glimpse of cast interviews, click the flyers or the link below:

http://irishandchin.com/videos/music-videos/viewvideo/3127/interviews/ghett-outcoming-soon

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It's no secret that Irish and Chin is heavy in the dancehall arena, notably because of more than 15 solid years of experience in Reggae/Dancehall entertainment, ranging from artist/sound booking and management to the production of world renowned sound clashes, concerts and plays. To add to an already impressive repertoire, Irish and Chin has released a revamped Irishandchin.com. The site's new and improved content avidly captures the essence of dancehall music and culture through vibrant coverage of top events in Jamaica and the U.S. The site's record-breaking number of weekly viewers is a hint that it's new look is paying off.

Heading Irish and Chin's fiery coverage in Jamaica is Street Six, one of the dancehall industry's most infamous music promoters. Street Six boasts a knowledge of the music, culture and streets, which is second to none. His connection to the dancehall industry's top camps and love of everything dancehall brings a critical ingredient to Irishandchin.com. Street Six covers events through out Jamaica, but is especially popular in Kingston. His raw and edgy photos and videos bring dancehall music and culture to life. With thousands of reggae music enthusiasts logging on to "Street Six" each week to soak in the vibes of images and videos from top weekly dances, concerts and other high profile events, the section's impact is clear.

"When mi hear sey people a log on to the ting fi view the pictures and footage, mi nah lie.. it mek mi feel good," says Street Six sincerely. "A long time mi a promote music and dancehall culture in the streets but a di first mi really a feel back the love from the people...... di ting maaddd!!!"

In addition to "Street Six," "Caught U by Ajamu" is also a wildly popular area on the new Irishandchin.com. Behind this section is Marlon "Ajamu" Myrie, the Reggae/Dancehall industry's premiere photographer. Ajamu's impeccable photos have appeared in The New York Times, VIBE, The Source, One World, Jamaica Gleaner, Star, Jamaica Observer, Jamrock, The Beat, Village Voice, among other print media outlets. Ajamu brings sophisticated dancehall coverage to Irishandchin.com. His images vividly capture the New York and Tri-State area's vibrant dancehall scene. Covering a variety of industry events, ranging from dances, concerts, stage shows and carnivals to exclusive artist appearances and album releases, Ajamu's images are sought after.

"No matter how many things Irish and Chin has accomplished, I am always seeking avenues of growth," says Garfield "Chin" Bourne of Irish and Chin. "Becoming a major player in the Internet media will inevitably have a positive impact on all of Irish and Chin's business ventures."

The fusion of "Street Six's" raw and edgy style with "Caught U by Ajamu's" polished flair, spawns an interesting and entertaining view of dancehall music and culture. The revamped Irishandchin.com will surely be a driving force in online dancehall entertainment in 2011.

Kingston, Jamaica -- December 14, 2010 -- Irish and Chin's explosive "Sound Chat" video series on Irishandchin.com, which has garnered worldwide attention and praise from sound system/sound clash followers and enthusiasts, successfully wrapped up Season One with a riveting and historical interview with dancehall pioneer and personality Joe Lickshot. 

The premise of the highly viewed program is to reinforce the significance that sound systems have played in the development of Reggae/Dancehall music and their pivotal role in the careers of some of the industry's most prominent artists. According to Irish and Chin, sound systems have somehow lost the respect and visibility that they deserve.
 
Chock full of 17 episodes, host Garfield "Chin" Bourne left no stones unturned during Season One's in-depth and enlightening interviews. Primarily including candid discussions with selectors and sound system owners, the series unearthed a wealth of valuable information and history on the sound system and sound clash arena.  Chin's primary aim with Season One was to introduce viewers to the industry's key players (80's, 90's), airing the episodes with the best known personalities first and ending with some of the best kept secrets.
 
Some of Season One's episodes featured Down Beat, Inner City, Glamour Wayne, Tony Matterhorn, Stereo Fish (from LP), 4x4 Exodus and much more. Part One of Joe Lickshot's discussion was an ideal close of  the debut Season, as his career and knowledge spans more than four decades.  Joe Lickshot's detailed discussion zoomed in on the creation and birth of many legendary sounds, which were pivotal in the development of the sound industry. The personality also discussed the critical role of sounds in the careers of artists, a prelude to what lies in store for Season Two (Sound Chat 2.0). Joe Lickshot's ground breaking interview went down at the site of Skateland (on Half Way Tree in Kingston, JA), home of some of arena's most revered clashes.
 
Chin's passion for sound clash culture and history stems back to his days as a youth. He has helped nurture the arena in myriad ways, with "Sound Chat" shining as his latest contribution.  The businessman and sound clash enthusiast says "With Sound Chat, I wanted to restore the education/history factor that's missing from the arena.....many of today's sounds do not understand the culture and legacy of the sport, which they are playing in -- voiding many of the arena's unwritten rules." 

Chin adds "It's impossible for the industry to reinvent itself without its key players being knowledgeable of the arena's rich history because the challenges that the sound system industry is currently facing are ones that have occurred numerous times in the past."
 
Irish and Chin has been busy at work creating super interviews for Sound Chat 2.0.  While Season One primarily focused on leading selectors and sound system owners, Sound Chat 2.0 will predominantly feature the artists, whose careers were born and nurtured on sound systems.  As Chin takes viewers down a historical journey of the sound system/sound clash industry through an artist's viewpoint, Sound Chat 2.0 promises to be stellar!

The packages include pairs of sounds, granting promoters an opportunity to book two of the industry's top sound systems for a nominal price. Therefore, promoters will be able to minimize expenses, while providing patrons with high level entertainment. In addition to the combo of David Rodigan and Mighty Crown, there are numerous sounds in consideration for the Spring 2011 package tour. Ideally, Irish and Chin wants to peg highly respected, influential sounds that can sell out venues. 

"Over the years, sound systems have suffered from a decline in international bookings for reasons including but not limited to a decrease in the sound's popularity/pulling power and the hiring of 'local' sounds by reputable international promoters," says Garfield "Chin" Bourne of Irish and Chin. "When promoters hire local sounds, there overhead is cheaper and there is no stress or travel to worry about......but local talent CAN NOT replace the true essence of the vibes that top tier sounds bring to the international market. Our campaign is merely a compromise that will offer promoters quality entertainment, while ensuring our sounds have consistent work." 

The vibes for the debut sound tour were super strong, primarily built on strong catalogues of classic dancehall music. The partygoers enjoyed the old style juggling so much that both David Rodigan and Mighty Crown held off on new tunes until just before each dance ended. Ultimately, when the new music was played -- the crowd's reception paled in comparison to that of the historical selections. It was certainly a pleasure to see people of all ages (predominantly 25-50 years old) thoroughly enjoy the performances. Although the bulk of the audience members were from the Caribbean, Japanese and White patrons shared in the excitement.  

David Rodigan delivered intense sets. The premiere selector intrigued revelers with classic dub plates from the likes of Tenor Saw, Barrington Levy, Super Cat and countless others. As Rodigan spoke sincerely about the loss in quality of today's music, he injected hardcore specials. He expressed to the audience that the industry is failing to produce heroes such as Beres Hammond, Dennis Brown and Garnett Silk to name a few. The audience roared with forwards as Rodigan took them on a rich musical journey of Reggae Dancehall music. Even the young patrons were rocked by Rodigan's sets.

Mighty Crown "The Far East Rulers" also received high praises as they hit the audience hard with vintage selections. Although they were not able to give as in depth a history as Rodigan, the sound commented passionately about how and why they fell in love with Reggae Dancehall more than 20 years ago. Mighty Crown agreed wholeheartedly with Rodigan's sentiments on the dilution of the music. Consistently, The Far East Rulers laced their sets with impressive dubplates from Jimmy Cliff, Dennis Brown and Beres Hammond among others -- sparking huge forwards from the crowd.

Both David Rodigan and Mighty Crown paid tribute to the late Gregory Isaacs. And to show that their performances were not all about dub plates, the sounds also dropped tight 45 selections. Patrons sang the words to the anthems verbatim. Each set peaked with a friendly dub plate shoot out between David Rodigan and Mighty Crown. Cheers and praises echoed through out each venue as the sounds dug deep into their boxes to retrieve heavy hitting dubs. The venues went into a frenzy as the sounds went back and forth, counteracting each others tunes. 

This tour was amazing, as patrons and promoters have already requested the tour in their locale. By popular demand, Irish and Chin will be making the David Rodigan/Mighty Crown package and another reputable sound system package available for Spring 2011 tours. Since the launch of the package deal, numerous sounds and selectors have called in support of the campaign. Irish and Chin looks forward to a heavy sound system line-up. Interested promoters should contact This e-mail address is being protected from spambots. You need JavaScript enabled to view it .

New York, New York -- October 19, 2010 -- Caribbean theatergoers in New Jersey turned out in the droves to catch the funniest play to hail from Jamaica this year "The Plumber." The riveting performance thrilled the audience and served as the ultimate close to the first leg of "The Plumber's" U.S. tour. With a full house and immense energy and vibes, "The Plumber" topped expectations during it's staging at Campus High in East Orange, New Jersey, which was promoted/produced by Irish and Chin and Greg "The Barber."

Selector and well known radio personality Banky Hype had the New Jersey crowd rocking. He laced his stomping ground with fierce selections, appealing to all age groups. At any given moment before the play and during intermission, patrons belted out the lyrics to their favorite music coupled by some serious dancing and bubbling. Banky Hype added the perfect ingredient and hype opening to the North Jersey staging.

"Chin kept hyping me up -- telling me to give the same dancehall energy, but be a little more conservative," says Banky Hype. "Honestly, I have never been so nervous in my life....here I am in the theater about to play music. Well, the people loved it and I loved it even more. Dancehall meets Theater.....this merger is bigger than Aol and Time Warner!"

Theatergoers were fully charged by the time the play started and the hilariously funny "The Plumber" perfectly picked up where Banky Hype left off. The cast of "The Plumber" scored with a phenomenal performance. The quips, adages and ad lib lines were flowing from the cast, often driving the audience into a frenzy -- especially the women. The audience laughed, cheered and shouted out in response to the actors through out the play. Without question, Andrea "Delcita" Wright won over the audience with her fast talking and slick lines -- often delivered as advice to the female castmembers and the women in the audience. Many left the play reciting her lines.

Additionally, the audience raved over the remarkably funny son of Mr. Jones and aspiring deejay "Stamma" -- played by Stede "Jookie Jam" Flash. And while they empathized with the ever so naive Mr. Jones - played by Garfield "Bad Boy Trevor" Reid -- the theatergoers found humor in the riddle-laced lines and innuendos of Michael "Stringbeans" Nicholson. Notably, New Jersey also took to rising actresses Trudy "Cindy Pumpit" Bell and Belinda "Mrs. Jones" Reid.

"The Plumber's" New Jersey show was one of the biggest to hit the area in quite a while. The record-breaking crowd was made up of people from New Jersey and New York. Some were taking in the show for a second time. There was certainly a fashion show element to the New Jersey staging, as "nuff gal" turned out in their finest. And one lucky "hot gal" walked away with the giveaway - a flat screen tv.

"I am very pleased with the turn out and vibes in New Jersey....the patrons loved the show as well as the music," says Garfield "Chin" Bourne of Irish and Chin. "Our vision of adding a strong dancehall element to theatre has proven to be a hit. Theater enthusiasts can expect a lot more wonderful productions from us in the future."

"When I interviewed Chin on Roadblock Radio -- my main question to him was 'Chin, how was the play?' He kept saying 'Ask somebody.' However, I decided to see it for myself. At some points during the play, I felt I was in a dance because of all the gun salutes.....punch line after punch line I saw world clash type forwards from the crowd....it was incredible! This play definitely gets 20 rah rahs from me!" confirms Banky Hype.

This past weekend "The Plumber" also made it's way to Howard University's Cramton auditorium -- entertaining hundreds in Washington, D.C. Overall, "The Plumber" had a good weekend run -- wrapping up the first leg of it's U.S. tour. "The Plumber," which was written by accomplished playwright Paul O. Beale and directed by Paul O. Beal and Stede "Jookie Jam" Flash, will return to the U.S. for encore performances by popular demand. If you missed "The Plumber" on it's first leg -- stay logged onto irishandchin.com/theater for all things Caribbean theater and dates of encore performances of this Stages Productions blockbuster.

To view photos, click below:

NEW JERSEY - http://www.irishandchin.com/theater-gallery/stage-plays/the-plumber-stage-play-new-jersey

WASHINGTON, DC - http://www.irishandchin.com/theater-gallery/stage-plays/the-plumber-stage-play-washington-dc

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New York, New York -- October 12, 2010 -- This news just in -- "The Plumber" attacked New York last weekend, sparing no mercy! Casualties totaled over 1600 people. If you talk to anyone that attended "The Plumber's" New York stagings, they will tell you that each one was chock-full of humor, which had them doubled over in laughter. Furthermore, they will let you know that "Delcita" brought down the house with her piercing and funny, yet thought provoking commentary. When "Delcita's" lines hit home, audience members often stood up to shout aloud in agreement. Without question, "Delcita" was followed in popularity by Stede "Jooky Jam" Flash, who played the comedic role of "Stamma," Garfield "Bad Boy Trevor" Reid, who played John Jones and Michael "Stringbeans" Nicholson who shined as "The Plumber." Notably, these cast members are phenomenal actors, who have graced the stages of Jamaican theater for decades. "The Plumber" also featured rising actresses Belinda Reid (Janet Jones) and Trudy Bell (Cindy Pumpit), who perfectly rounded off the ensemble.

Since "The Plumber" opened in Boston earlier this month, it has grown in popularity. What makes "The Plumber" appealing is that the ever-so-talented cast boasts a nack for tailoring their lines and style to the audience and city where they are performing. Over the weekend, the cast intermittently injected lines that appealed specifically to the New York audiences. This improv style of acting won over the New York massive. Because "The Plumber" actually varies from city to city, no two stagings are exactly the same. With this in mind, the play attracted a number of repeat patrons. As the Irish and Chin U.S. produced tour of "The Plumber" continues, the actors are displaying impeccable talent.

"What I really enjoy about 'Delcita's character is that she offers commentary on real life issues in a comedic way," says Garfield "Chin" Bourne of Irish and Chin. "I think that what drives 'Delcita's' popularity home with audiences is that everyone at some point in their lives has witnessed or experienced what she talks about....better yet, many can identify with 'The Plumber's' overall theme of infidelity."

There was a strong dancehall vibe present at both New York shows. Not only did music from DJ Elly of Red Hot Radio and DJ Roy lock Brooklyn and Queens audiences with high caliber selections -- there was an incredible flair for fashion at both shows. The New York crowd certainly converted "The Plumber" stagings into dress to impress events. While the females boasted vibrant dresses, skirts and fitted attire, the gents were also crisp from head-to-toe. Cameras were constantly flashing. The New York photos (see links below) perfectly paint the picture of an all-out theater bashment. Irish and Chin has clearly helped bridge the gap between dancehall and theater, allowing people who once only frequented the dancehall to be comfortable in a theater environment.

During the New York stagings, two lucky patrons took home flat screen TVs. With the high energy, excitement and media attention surrounding "The Plumber," the play's upcoming stagings in Washington, D.C. (Saturday, October 16) and East Orange, N.J. (Sunday, October 17) are destined to be successful. If you haven't yet seen this Stages Production hit, it's a must that you take in one of this weekend's stagings. Advance tickets to both shows are available online: http://www.irishandchin.com .

"The Plumber" is being touted as the hottest play to hail from Jamaica this year. Written by Paul O. Beale and Directed by Paul O. Beale and Stede "Jooky Jam" Flash, "The Plumber" is winning over U.S. audiences one city at a time.

To learn more about "The Plumber" visit:

http://www.irishandchin.com/theater

To see pics from the New York shows, visit:

BROOKLYN

http://irishandchin.com/theater-gallery/stage-plays/-the-plumber-stage-play-ny-tilden-high-school

QUEENS

http://irishandchin.com/theater-gallery/stage-plays/the-plumber-stage-play-ny-york-college

New York, New York -- October 7, 2010 -- It was a strong weekend for "The Plumber," as the hit Jamaican play opened it's widely acclaimed Irish and Chin U.S. tour in Boston. Specifically, the play debuted in Boston's diverse Dorchester neighborhood at the Strand Theater. Hundreds of eager West Indian-Americans filed into The Strand Theater, one of Boston's most historic theaters, which opened in the early 1900's, to take in "The Plumber."

 The attendance was impressive, given that Boston is not a huge market for Caribbean theater. "The Plumber" making a stop in the New England city was certainly a treat to theatergoers. From start to finish, laughter echoed through The Strand theater, as Andrea "Delcita" Wright and the talented ensemble won over the audience with raw humor. Undeniably, Andrea "Delcita" Wright was a hit, with Garfield "Bad Boy" Trevor and Stede "Jookie Jam" Flash closely following in popularity.

Notably, the audience at the play's second weekend stop in Hartford, Connecticut doubled in size. The full house whole heartedly enjoyed "The Plumber's" top rate entertainment. Throughout the play, the Hartford audience roared with adulation. Of course, Delcita, Bad Boy Trevor and Jookie Jam made an indelible mark on the audience, which consisted of people of all ages. In both cities, theatergoers were amused by the antics of Raggashanti, a top Jamaican personality and comedian. Raggashanti had the audience hyped way before the play even started.

During the debut stagings, the dancehall massive were in full effect, creating quite a diverse environment. Regardless of demographic, audience members exited the theater reciting lines from the play verbatim. The local media's turn out and support of the "The Plumber's" debut stagings was phenomenal. Almost all of the media expressed their love of the play and it's cast. "The Plumber" unquestionably left a lasting impression in Boston and Hartford, as calls for encore performances have flooded the Irish and Chin office. The flatscreen tv giveaways at both shows were also a noted plus by patrons.

"Our goal is to attract a more diverse audience to Caribbean theater. And in order to accomplish this, we have created unique promotional strategies that appeal to a new generation of theatergoers," says Garfield "Chin" Bourne of Irish and Chin. "The end result has been record breaking numbers of patrons turning out for our productions."

"The Plumber," which was written by Paul O. Beale and Directed by Paul O. Beale and Stede "Jooky Jam" Flash, hails from the Stages Productions camp. Don't miss Jamaica's #1 play, which is set to land in several more cities on this tour. Find out what everyone is raving over! This upcoming weekend, patrons from the Bronx who attend "The Plumber's" Brooklyn and Queens shows can get their tolls reimbursed!

To see photos from the Boston and Hartford shows, visit:

http://irishandchin.com/photos/ajamu-photography/caught-u-by-ajamu/the-plumber-stage-play-boston

http://irishandchin.com/photos/ajamu-photography/caught-u-by-ajamu/the-plumber-stage-play-connecticut

To purchase advance tickets, visit:

http://www.irishandchin.com

MORE TOUR DATES

October 9, 2010 - Tilden High School - Brooklyn, NY

October 10, 2010 - York College - Queens, NY

October 16, 2010 - Howard University, Cramton Auditorium - Washington, DC

October 17, 2010 – East Orange Campus High School - East Orange, NJ

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New York, New York -- September 21, 2010 -- Promotions team Irish and Chin is gearing up for their Fall Tour of Jamaica's hit stage play "The Plumber." For the very first time, Irish and Chin is offering patrons from the Bronx, New York on-the-spot reimbursement of their tolls when they attend either of "The Plumber's" New York stagings (October 9/Tilden High School/Brooklyn or October 10/York College/Queens).

Kingston, Jamaica -- August 27, 2010 -- Mighty Crown "The Far East Rulers" and their management team Irish and Chin were all smiles last weekend in Yokohama, Japan when they were joined by 20,000 adoring fans for Yokohama Reggae SAI ZERO. The event, in celebration of Mighty Crown's 19th anniversary, was the only sold-out open air concert in Japan this year. Because of Mighty Crown's move to a smaller venue, thousands of people were left without tickets. But the massive inside were treated to top notch performances from the Big Ship family including the one and only Freddie McGregor, Chino and Steven "Di Genius."

As Mighty Crown restarts Reggae music and culture in Japan with their "ZERO" concept, Freddie McGregor served as the ideal artist to enlighten the thousands of young Japanese fans in attendance. He mashed up the place, performing a string of his most loved hits -- winning over the audience. The plot thickened as top dancehall artist Chino took over the stage with his massive tune "Never Change," which holds a top spot on Japan's itunes Reggae chart. The Big Ship set wouldn't have been complete without Chino calling out his super producer sibling Steven "Di Genius" to sing a few songs. He too shined!

The Japanese Reggae acts were in full effect, exhibiting great solidarity in celebration of Mighty Crown's anniversary and "ZERO" theme. While all of the Japanese acts were in top shape, it was a couple of impromptu performances that set the place on fire. First, Pushim, who is pregnant, joined Freddie McGregor for a combo. They delivered a stellar performance that drove the crowd into a frenzy. In addition to Pushim's surprise stint, Sami-T's 9 year-old son "SUPER STAR" took over the Mighty Crown set, backed by a young DJ. The pint-sized MC, who buss the place, represents the future of Mighty Crown. Every artist on the line-up shined. It was no surprise that fans raved over the whole show.

Just as Mighty Crown's co-founders Masta Simon and Sami T planned, everything about this year's show was basic -- opposed to over-the-top in previous years. Items from sneakers and t-shirts to the overall stage set up were reminiscent of day one. Even with the "ZERO" basic theme, the event was still huge. Because Mighty Crown and Irish and Chin share the same vision to start from scratch, Irish and Chin is planning their third installment of "Reeewind," which will feature top veteran artists in a rub-a-dub "stylee." "This year was very laid back and very relaxing.

"There was good music, fun, and an unyielding display of unity among Japan's top artists," says Garfield "Chin" Bourne of Irish and Chin. "Mighty Crown's ZERO campaign has undoubtedly reset the button on Japanese dancehall, which will enable them to introduce their younger fans to the roots and culture of Reggae music....Yokohama Reggae SAI ZERO was another milestone for our camp."

Next year, Mighty Crown will celebrate 20 years in the business and oh what a celebration it will be. Inevitably, the 20th anniversary will go down in the stadium. The line-up will surely be star-studded.

New York, New York -- February 16, 2010--After a sold-out staging of "Reeewind....Past Meets the Present" in October 2009, Dancehall tastemakers Irish and Chin are back with "Reewind & Come Again" on Saturday, March 27 at Club Amazura in Queens, New York. This time around -- the grassroots foundation series, which features the legendary King Stur Gav sound, will be headlined by "The Grammy Kid" Shabba Ranks, one of Reggae Dancehall's most accomplished artists. Shabba's performance at "Reeewind" will be extra special for more reasons than one.
Not only does this rare "rub-a-dub" appearance mark the first time that Shabba has performed on a live sound in more than a decade, it also bills him alongside his icon and Dancehall forefather, Brigadier Jerry.